1/1/2024 0 Comments Remind me tomorrowThe song evolves into a lushly spacey Portishead-style track as she sings about holding hands, sharing a shot, and a confidence that transcends bad memories. The album opens with Van Etten alone at the piano for “I Told You Everything”: “Sitting at the bar, I told you everything/You said, ‘Holy shit,’ ” she sings. The music’s immediacy is reflected in a new generosity in her lyrics. “Jupiter 4” is like a torch-ballad version of the interplanetary jazz David Bowie explored on Blackstar. “No One’s Easy to Love” is a hazy intimation of regret with a head-slap groove on the hot single “Comeback Kid,” Van Etten sounds like an imperious Eighties MTV avenger, punching her way through gossamer synths and Phil Collins-huge tom-tom rumble. This music is just as expansive, but the songs are sharply sculpted. Van Etten’s previous LPs rode a sepulchral slow-burn. Meet the Creators and Activists Leading Social Media's Next Wave RS Recommends: 5 Devices You Need to Set Up Your Smart Home Vincent (producer John Congleton has worked with both), and the New Wave warrior-queen spirit of the Yeah Yeah Yeahs’ Karen O. Her fantastic new album, Remind Me Tomorrow, ups her ambitions even further, pushing toward a grand, smoldering vision of pop that can bring to mind Lana Del Rey and St. But she’s always had bigger things in mind for her music 2014’s Are We There was a haunted cathedral of stark synths, orchestral shadow play and stormy guitar drama. Van Etten started out playing hushed, disgruntled folk rock, so she often gets tagged as an “indie” artist. Remind Me Tomorrow isn’t a total reinvention of the wheel for Sharon Van Etten, but it’s a welcome evolution that finds her at the top of her game.Over the past decade, Sharon Van Etten has emerged as one of the most viscerally potent songwriters around, able to create gigantic-feeling songs that can have Taylor Swift levels of steely-eyed romantic recrimination: “The moral of the story is, don’t lie to me again,” she warned with scathing clarity on her early standout “Consolation Prize” it’s the kind of line that’d leave whoever she’s singing to sleeping with one eye open. The record slows down a bit toward the end as the big, dramatic blasts of synthesizers and drums are replaced by moody drum machines and subtler melodies, but it finishes strong as a complete and satisfying listen from start to finish. Is there a non-Springsteen lyric more Springsteen than, “I used to be free / I used to be seventeen”? “Seventeen” is a catchy, infections and immediately accessible nostalgia-soaked stroke of genius. The songs of Remind Me Tomorrow feature similar composition throughout, but vary enough to hit all the right notes: “No One’s Easy to Love” has a moany Thom Yorke flavor to it “Malibu” is a plodding, hefty tune, featuring a wild, soaring synth lead that recalls late-stage Bowie “Your Shadow” is defined by a rich, sweet bubblegum swagger.īut the crowning jewel is the single “Seventeen.” It’s a simple song that moves at a confident clip with low, bassy synths humming under a charging rhythm until they’re set lose toward the middle of the track, creating a weird, almost alien melancholy soundscape as Van Etten belts out a wistful letter to her seventeen-year-old self. ![]() From start to finish, the record is stirring, moody, affecting and real.īut for a few minor production choices, opening track “I Told You Everything” would’ve fit right in on Van Etten’s 2014 masterwork Are We There - but doesn’t take long before we’ve left Van Etten’s familiar, delicate piano rock behind for a bigger, more decadent world of groovy rhythms, chirping keyboards and deep, dark synthesizers. It’s a record too theatrical to be defined by its authenticity and too confident to be defined by its vulnerability a blend of emotion and style that only Sharon Van Etten could pull off at this stage in her accomplished career - and pull it off she does. Remind Me Tomorrow, the new record from indie rock maven Sharon Van Etten, is a synth-soaked, mid tempo collection of songs that conjures all the nostalgia of Arcade Fire’s best work and all the moodiness of The National’s recent Sleep Well Beast with occasional flashes of Bruce Springsteen and Nick Cave and the Bad Seeds Skeleton Tree era-inspired genius. Fire Note Says: Remind Me Tomorrow isn’t a total reinvention of the wheel, but it’s a welcome evolution that finds Sharon Van Etten at the top of her game.Īlbum Review: Ever wondered what it would sound like if Arcade Fire and The National teamed up? No? Well, now you don’t have to.
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